1944 (17th Annual Awards)
Nominations and Winners
Listed below are the Academy Award nominations and winners for the year 1944. The
symbol appears next to the winner in each category. Click on the name of a film, person or song in the list to display more information about that film, person or song. Or, click on a year in the column on the right to display the nominations and winners from that year.
Best Motion Picture
Double Indemnity, Paramount.
Gaslight, Metro-Goldwyn-Mayer.
Going My Way, Paramount.
Since You Went Away, Selznick International Pictures; United Artists.
Wilson, 20th Century-Fox.Best Actor
Best Actress
Actor in a Supporting Role
Actress in a Supporting Role
Directing
Art Direction-Interior Decoration
(Black-and-White)
Address Unknown, Columbia. Art direction by Lionel Banks and Walter Holscher; interior decoration by Joseph Kish.
The Adventures of Mark Twain, Warner Bros. Art direction by John J. Hughes; interior decoration by Fred MacLean.
Casanova Brown, International Pictures; RKO Radio. Art direction by Perry Ferguson; interior decoration by Julia Heron.
Gaslight, Metro-Goldwyn-Mayer. Art direction by Cedric Gibbons and William Ferrari; interior decoration by Edwin B. Willis and Paul Huldschinsky.
Laura, 20th Century-Fox. Art direction by Lyle Wheeler and Leland Fuller; interior decoration by Thomas Little.
No Time for Love, Paramount. Art direction by Hans Dreier and Robert Usher; interior decoration by Sam Comer.
Since You Went Away, Selznick International Pictures; United Artists. Art direction by Mark-Lee Kirk; interior decoration by Victor A. Gangelin.
Song of the Open Road, Charles Rogers Productions; United Artists. [Nomination withdrawn by the production company.]
Step Lively, RKO Radio. Art direction by Albert S. D’Agostino and Carroll Clark; interior decoration by Darrell Silvera and Claude Carpenter.(Color)
The Climax, Universal. Art direction by John B. Goodman and Alexander Golitzen; interior decoration by Russell A. Gausman and Ira S. Webb.
Cover Girl, Columbia. Art direction by Lionel Banks and Cary Odell; interior decoration by Fay Babcock.
Kismet, Metro-Goldwyn-Mayer. Art direction by Cedric Gibbons and Daniel B. Cathcart; interior decoration by Edwin B. Willis and Richard Pefferle.
Lady in the Dark, Paramount. Art direction by Hans Dreier and Raoul Pene du Bois; interior decoration by Ray Moyer.
The Princess and the Pirate, Regent Pictures; RKO Radio. Art direction by Ernst Fegte; interior decoration by Howard Bristol.Cinematography
(Black-and-White)
Since You Went Away, Selznick International Pictures; United Artists. Stanley Cortez and Lee Garmes.(Color)
Documentary
(Feature)
The Fighting Lady, United States Navy; 20th Century-Fox.
Resisting Enemy Interrogation, United States Army Air Force.(Short Subject)
Arturo Toscanini, United States Office of War Information Overseas Motion Picture Bureau.
New Americans, RKO Radio. [This Is America Series]
With the Marines at Tarawa, United States Marine Corps.Film Editing
Since You Went Away, Selznick International Pictures; United Artists. Hal C. Kern and James E. Newcom.Music
(Music Score of a Dramatic or Comedy Picture)
(Scoring of a Musical Picture)
Knickerbocker Holiday, PCA (Producers Corporation of America); United Artists. Werner R. Heymann and Kurt Weill.(Song)
I Couldn’t Sleep a Wink Last Night from Higher and Higher, RKO Radio. Music by Jimmy McHugh; lyrics by Harold Adamson.
I’ll Walk Alone from Follow the Boys, Charles K. Feldman Productions; Universal. Music by Jule Styne; lyrics by Sammy Cahn.
I’m Making Believe from Sweet and Lowdown, 20th Century-Fox. Music by James V. Monaco; lyrics by Mack Gordon.
Now I Know from Up in Arms, Avalon Productions; RKO Radio. Music by Harold Arlen; lyrics by Ted Koehler.
Remember Me to Carolina from Minstrel Man, PRC (Producers Releasing Corporation). Music by Harry Revel; lyrics by Paul Webster.
Silver Shadows and Golden Dreams from Lady, Let’s Dance, Scott R. Dunlap; Monogram. Music by Lew Pollack; lyrics by Charles Newman.
Sweet Deams Sweetheart from Hollywood Canteen, Warner Bros. Music by M. K. Jerome; lyrics by Ted Koehler.
Too Much in Love from Song of the Open Road, Charles Rogers Productions; United Artists. Music by Walter Kent; lyrics by Kim Gannon.
The Trolley Song from Meet Me in St. Louis, Metro-Goldwyn-Mayer. Music and lyrics by Ralph Blane and Hugh Martin.Short Subjects
(Cartoons)
And to Think I Saw It on Mulberry Street, George Pal Productions; Paramount. [George Pal Puppetoon Series] George Pal, Producer.
Dog, Cat and Canary, Screen Gems; Columbia. [Color Rhapsody Series]
Swooner Crooner, Warner Bros. [Looney Tunes Series](One-reel)
Blue Grass Gentlemen, 20th Century-Fox. [Ed Thorgerson’s Sports Review Series] Edmund Reek, Producer.
Screen Snapshots’ 50th Anniversary of Motion Pictures, Columbia. [Screen Snapshots Series] Ralph Staub, Producer.(Two-reel)
Main Street Today, Metro-Goldwyn-Mayer. [Two-reel Special Series] Jerry Bresler, Producer; Herbert Moulton, Associate Producer.Sound Recording
Casanova Brown, International Pictures; RKO Radio. Samuel Goldwyn Studio Sound Department, Thomas T. Moulton, Sound Director.
His Butler’s Sister, Universal. Universal Studio Sound Department, Bernard B. Brown, Sound Director.
Hollywood Canteen, Warner Bros. Warner Bros. Studio Sound Department, Nathan Levinson, Sound Director.
It Happened Tomorrow, Arnold Productions; United Artists. Sound Service, Inc., Jack Whitney, Sound Director.
Kismet, Metro-Goldwyn-Mayer. Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director.Special Effects
The Adventures of Mark Twain, Warner Bros. Photographic effects by Paul Detlefsen and John Crouse; sound effects by Nathan Levinson.
Days of Glory, RKO Radio. Photographic effects by Vernon L. Walker; sound effects by James G. Stewart and Roy Granville.
Secret Command, Columbia. Photographic effects by David Allen, Ray Cory and Robert Wright; sound effects by Russell Malmgren and Harry Kusnick.
Since You Went Away, Selznick International Pictures; United Artists. Photographic effects by John R. Cosgrove; sound effects by Arthur Johns.
The Story of Dr. Wassell, Paramount. Photographic effects by Gordon Jennings and Farciot Edouart; sound effects by George Dutton.
Thirty Seconds over Tokyo, Metro-Goldwyn-Mayer. Photographic effects by A. Arnold Gillespie, Donald Jahraus and Warren Newcombe; sound effects by Douglas Shearer.Writing
(Original Motion Picture Story)
(Original Screenplay)
(Screenplay)
Special Award
To Bob Hope for his many services to the Academy. [Life Membership](Juvenile)
To Margaret O’Brien, outstanding child actress of 1944. [Miniature Statuette]Irving G. Thalberg Memorial Award
Scientific or Technical Award
(Class II)
To Stephen Dunn and the RKO Radio Studio Sound Department and Radio Corporation of America for the design and development of the electronic compressor-limiter.(Class III)
To Linwood Dunn, Cecil Love and Acme Tool and Manufacturing Company for the design and construction of the Acme-Dunn Optical Printer.
To Grover Laube and the 20th Century-Fox Studio Camera Department for the development of a continuous loop projection device.
To Western Electric Company for the design and construction of the 1126A Limiting Amplifier for variable density sound recording.
To Russell Brown, Ray Hinsdale and Joseph E. Robbins for the development and production use of the Paramount floating hydraulic boat rocker.
To Gordon Jennings for the design and construction of the Paramount nodal point tripod.
To Radio Corporation of America and the RKO Radio Studio Sound Department for the design and construction of the RKO reverberation chamber.
To Daniel J. Bloomberg and the Republic Studio Sound Department for the design and development of a multi-interlock selector switch.
To Bernard B. Brown and John P. Livadary for the design and engineering of a separate soloist and chorus recording room.
To Paul Zeff, S. J. Twining and George Seid of the Columbia Studio Laboratory for the formula and application to production of a simplified variable area sound negative developer.
To Paul Lerpae for the design and construction of the Paramount traveling matte projection and photographing device.